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Superheroes, Redesigned

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P:R Regulars: Yasmin Liang!

Note: Not everyone can win our P:R contests, and in the array of runners-up and honorable mentions you see a sea of quality talent. Artist Yasmin Liang has been a fixture in our contests with DC heroes, placing as a runner-up in Aquaman: Sea Change, Batman 2.0: Dynamic Do-Over and Wonder Woman: Wardrobe War, and earning honorable mentions for both Canary on the Catwalk and Superman: Man of Style. She’s gone to have several of her pieces earn a solo feature here on the site, and we’re always on the lookout for more work by her in our inbox and online! - Chris A.

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P:R Redesign: Yasmin Liang’s Batwoman!

Note: P:R Regular Yasmin Liang returns to the fold today with a great take on DC’s Batwoman. Described by the artist as an Elizabethan approach, this rendition of Kate Kane has many of the great innovations by J.H. Williams 3 combined with Liang’s own touches of brilliance. – Chris A.

P:R Approved: World’s Finest Interviews YOUNG JUSTICE Lead Character Designer Phil Bourassa

Note: We love great super-hero designs, and we love to hear from the artists who do them. The gang over at World’s Finest got the rare opportunity to speak with the Lead Character Designer for DC’s animated series Young Justice, Phil Bourassa. Bourassa has worked on everything from Static Shock, Batman: Mystery of the Batwoman, Ben 10, and several of Marvel’s direct-to-DVD animated features, and his work on Young Justice has been the pinnacle of his career so far.. Here’s an exercept from that interview by World’s Finest:

WF: What are your goals with your character designs on Young Justice and what would you consider your goals? Even with all of the different DC Animation shows over the years, this is easily one of the more complex-looking series to date. How do you balance that with trying to make these designs easier to animate, etc.?

PB: I have several objectives when it comes to designing for Young Justice. First, as a general rule – and this applies to everything I work on – the look, feel and tone of the design has to suit the story and the world in which the story takes place. That’s pretty broad and it sort of includes the mechanics of the drawing style fitting the type of action, staging and storytelling that the work requires. I don’t just design for design’s sake. Everything has to work in a practical way so the animators and board artists can do what they need with models in order to tell the story.

Specifically with regards to Young Justice, I am also trying to balance in equal measure the need for innovation and visual evolution of classic characters, with a deep reverence for the tradition and history of the DC universe. I think in some ways a thoughtful and respectful update of a classic actually preserves the spirit of a character more than dogmatically adhering to a dated look that is past its prime. After all, we want new generations to fall in love with these characters the way we did, and sometimes that means giving them a makeover or a new coat of paint, as long as in doing so we don’t lose what is fundamentally true for each character. Obviously, it’s a case by case basis and I try to evaluate each character individually. As far as complexity goes, I feel that as long as the theory and the mechanics of the designs are sound, the animators can handle anything I throw at them. On top of a solid foundation, detail is fine as long as it’s not superfluous.

Bourassa goes on to speak in depth about the redesigns of Aqualad, the Joker and others. You can read the entire interview at this link.

She-Design/He-Design: Nate Snareser’s Justice League!

Note: This gender-bent version of the Justice League by Nate Snareser takes the opportunity to revise the costume for their new body-types, resulting in some inspired revisionist history. Click to enlarge, and check out that Batwoman and the Green Lantern! – Chris A.


P:R Roundtable: DC’s New Redesigns (Part 2 of 3)

Note: As the DC turns, we come to the second of our three-part series looking at DC’s recent redesigns. Today we cover Firestorm, Mr. Terrific and Nightwing. – Chris A.

Vito: I prefer the two separated Firestorms to the combined one. I get what he was going for there; Ronnie and Jason are their own men, their own hero, but when they combine, they are super SUPER Firestorm. I just think the individual designs are stronger. It’s like Superman Blue and Superman Red.

Jon: When Ketchup and Mustard mix, they get Mayostorm, the Condiment Man!

Joel: I’m sorry, but I’ve seen Stefan Gambert’s redesign, and now, no other Firestorm is remotely acceptable.

Jon: What bugs me about this is that Firestorm – of all the DC properties not created by Jack Kirby – would be the one to most benefit from a Kirby-esque design. Broader stripes rather than thinner, shapes rather than delineations – there are so many strong elements in the Firestorm costume that could have been made much more bold.

Vito: I would say that of all the DCU Properties, the JSA is probably my favorite after the Batman family. So, with the news that the JSA is being “retired for now,” it’s kind of odd that Mr. T here gets the go around over, say, Power Girl. But this is about the redesign, not the politics of publishing. As a costume, I’m always reticent to accept bare arms on a character that is not invulnerable. Sure, you can’t really die of a gun shot wound to the arm, but it could get hacked off but good (see how that worked out for Arsenal?). I’d be more comfortable if he had short sleeves, or better yet, sleeves to his forearms (half-sleeves?). It looks like he just took off his jacket. It’s not a redesign as much as it is a rethink. My short sleeve/no sleeve annoyance aside, it appears as if the whole point of taking the costume to this step is to show off the tattoos. Now, we can argue whether Michael Holt would have tattoos (if it’s in character or not), but forget that for a second…if there is no JSA (and they’re saying that Superman is the FIRST hero of the modern age), then why does he a have “Fair Play” tattoo? It’s an odd choice.

Jess: This is another costume that doesn’t seem to have had a lot of thought put into it. Why the bare arms? Why the fussy little gloves? Why the red line around his waist? And generally speaking, any mask/makeup job (???) that makes it look like your hero has been drinking blood is not a good look.

Joel: The costume itself seems okay, and I rather like the shoes. The tattoos strike me as out of character, but are visually acceptable. But that red stem on the T-mask is whackadoodle.

Jon: I couldn’t place what was going on with the T-Mask over the nose and mouth, I was hoping it was only a lighting effect. I don’t think the mask is as strong a design element two-toned. Outside of that, though, I largely like this costume – good lines and shapes on the body, very sleek and athletic. I would have preferred that the gloves either go in the trash or be styled to accessorize with the boots, belt and neckline, and superhero tattoos are already showing their age, design-wise, so that wasn’t my favorite choice. It’s dynamic though, and I appreciate that.

Vito: Whackadoodle is now entering the official Project: Rooftop dictionary.

Chris: Honestly, this is one of my favorite super-hero redesigns from DC’s slate of announcements. I especially like the pitted part of the suit where Mr. Terrific’s robots come from.

Vito: The one I’m the most in love with. While I love Dick as a Batman, I was sorely missing some Nightwing in my life. Looking at this, I see Nightwing…and Batman Beyond! He keeps the Batman gloves/gauntlets and he’s more armored. A+.

Jon: I saw a lot of angst online with regards to Nightwing’s costume – “Why is it RED instead of BLUE???” – but, yeah, it’s a nod to Batman Beyond, and that’s great, because Dick Grayson is the original “Next Generation of the Bat-Dynasty”. Happy to see him back in the Nightwing togs in general – I enjoyed his time under the cowl in Morrison’s run, but I preferred him to be his own character – and the update to his previous costume is both elegant and reasonable; same sleek lines as before, now with some very sleek armor plating. I like!

Jess: I dunno, I feel like the classic Nightwing costume and the Batman Beyond costume both work because they’re so simple, and this misses the mark with all the textural effects. Plus, the scary red eyes seem fairly out of character to me. Dick’s a lover, not a fighter! (Well, except for all the fighting he does.)

Joel: You’d think they’d want to get that blue in there to distinguish him from the Red Hood, and Red Robin… and Batwoman, now that I think about it. Man, these guys are going to be embarrassed when they show up at the same alley, all wearing the same thing.

Jon: They’re gonna look like Batman’s backup singers.

I like to imagine that this is intentional branding on behalf of DC – Batman is black and gray and yellow or whatever the scheme is these days, the second-tier Bat-Family is some variation of black-and-red with highlights as needed. I may be giving them too much credit, though.

Joel: I think Batgirl may crack that theory.

Jon: Good point. Too much credit: officially given.

Chris: I’m with Vito on this. I think the red helps Nightwing get out of the shadow of Batman, and is a neat throwback to both Batman Beyond as well as the character’s time working with Deathstroke a few years back. I’d still love to have Dick grow out the long hair as he was seen briefly in the his futuristic self in Teen Titans Go!.

Dennis Culver’s Batman, Inc.

Note: P:R Pal Dennis Culver has wrapped up his impressive Batman, Inc. collection, in which he depicted various DC characters, in and out of the usual Bat-Family, as members of Bruce Wayne’s new Batman, Inc. project. Here’s the full roster! – Dean Trippe

UPDATE: Head over to Comics Alliance for some excellent commentary on Dennis’s roster by our pal Chris Sims! – D.T.

Head over to Dennis Culver‘s blog for a link to gigantic version of the full image! Here’s the guide:

Row 1: Cassandra Cain as Nightwint, Red Robin, Bruce Wayne as Batman, Batgirl, Robin, Dick Grayson as Batman
Row 2: Jason Bard, Onyx, Huntress, Oracle, Black Canary, Flamebird, Batwoman
Row 3: Night Runner, Captain Batarang, Batman Japan, The Hood, Acro-Bat
Row 4: Steel, Aztec, Wally West, Bat Barda, Zauriel
Row 5: Connor Hawke, Bobo Benetti, Sam Simeon, Angel O’Dare, Arrowette, Tawky Tawny
Row 6: El Gaucho, The Musketeer, Knight, Squire, Raven Red, Man of Bats, Dark Ranger
Row 7: Metamorpho, Halo, Thunder, Grace Choi, Black Lightning Geoforce, Owlman, The Creeper, Katana

Tim Gunn Discusses Superhero Costumes

Note: Looks like Project Runway star Tim Gunn is making a pitch to move over to Project: Rooftop in this discussion with Crazy Sexy Geeks host Alan Kistler. The superhero choices are particularly timely for Rooftop Readers (TM), with Black Canary and Batwoman included in the discussion. You’re welcome at P:R anytime, Mr. Gunn! Thanks to everyone who sent this in. – Dean Trippe

P:R Programming Update

We’re going through the Canary on the Catwalk results at P:R HQ, and they’re outstanding! We should have the finalists up in a couple of weeks, with guest commentary from GreenArrow/Black Canary artist Mike Norton (currently rocking the art on Billy Batson and the Magic of Shazam)!

We’re all also thrilled at the news of Batwoman’s on-again-off-again-ongoing being BACK ON with artist (and now co-writer) J.H. Williams III at the helm. Thanks again to everyone who sent in fan art in support of the character for Batwoman Week.

Batwoman Returns

Good news, Batwoman fans. :)

Batwoman Week Round-Up

Note: Following the news that the anticipated Greg Rucka and J.H. Williams III Batwoman ongoing series had been officially canceled, we decided to spotlight Kate Kane, the Batwoman, here at P:R all week. Thanks to everyone who sent in their depictions of the character. As we suspected, there are a lot of Batwoman fans out there. Here are a few more pieces we received. – Dean

Megan Rose Gedris

Note: Lots more after the jump! – D.T.

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