Project : Rooftop

Superheroes, Redesigned

Category: P:R Redesigns

P:R Redesign: Thomas Fummo’s Doctor Strange!

Note: Longtime P:R commentor Thomas Fummo makes his solo debut here with a take on Marvel’s resident magic man, Doctor Strange. Fummo brings his lush illustration style here, taking advantage of the Doctor’s rather decadent looks and gives him a visit to the tailor. Strange isn’t a super-hero in the typical variety, and Fummo sees that and instead makes him an adventurer of yore. – Chris A.

Here’s what Fummo had to say about the redesign:

It’s not really much of a change, really. Definitely no re-imagining this time. I literally just took some of the key costume elements and tried to make them look less ridiculous. I combined the poofy shirt and cape into one, long coat, turning that spiky collar thing into raised lapels. I wanted him to look half shaman, half victorian occultist: hence the forehead marking and victorian cravat, waistcoat and knee-high boots.

P:R Redesign: Danny Dauphin’s Mysterio!

Note: Mysterio has always been one of Spider-Man’s most terrifying villains, but the fishbowl of a head always seemed to make people think he was second-rate. But this redesign by Danny Dauphin takes the movie effects maven Quentin Beck and turns him into a serious-looking player on the NYC criminal scene. With a more than casual Doctor Strange vibe here, Dauphin’s made Mysterio someone I’d love to see more of in comics. Check out that high collar with the eyes! – Chris A.

P:R Redesign: Chuck BB’s Spiral!

Note: The denizens of Marvel’s Mojoverse have always been some of my favorite characters, and the stuntwoman turned assassin/bodymodder Spiral is chief amongst those. And now artist Chuck BB is taking on Mojo’s long-time right hand and giving her a turn in her own Body Shoppe. Who says when you have six arms that they all have to be the same? – Chris A.

P:R Redesign: David Tremary’s Wonder Woman, The Animated Odyssey!

Note: Cliff Chiang and Brian Azzarello’s blazing new take on Wonder Woman in DC’s “New 52″ has earned a cadre of fans including us here at P:R. Turns out that it’s also earned a fan in a professional brand/package designer who does licensed work for Disney, Marvel and other big media companies — David Tremary. Tremary took on DC’s crown princess and dreamt up Wonder Woman: The Animated Odyssey, a slate of character designs for an imaginary animated series based on the designs of Cliff Chiang. Originally intended to be showcased in our earlier Fan-Art Friday: Wonder Woman, we held this back to give this it’s own day in the spotlight. If only this were real! – Chris A.

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P:R Redesign: Ilias Kyriazis’ Avengers!

Note: Ilias Kyriazis is back after a long absence, redesigning the Avengers from the ground up– including the membership. Some of the designs stay the same from their 616 counterparts, while others like U.S. Agent and Zero (The 2099 Ghost Rider) go to some very new places. Look below the pin-up for descriptions from Ilias about the team’s makeup. – Chris A.

It’s always very fun to come up with rosters for superhero teams. I thought I’d draw my own take on the Avengers (or the Defenders?) I limited my choices to B-list and C-list characters so it’d feel more personal. A team for a hypothetical book I could make my own.

She-Hulk
Team Leader and co-founder. Her experience makes her the best choice for the role even if leading is not her style. I always enjoy “fun” and seemingly carefree characters thrown in situations that require a lot of responsibility. At first I went with a pink costume and it looked cool but it clashed with everyone else on the team.

U.S.Agent
The other founder. I enjoy a jerk in a team and he’s one of the biggest jerks Marvel has. I stepped away from the Captain America look a little. I armed him with John Wayne’s actual handgun, cause what’s more American than that?

Torgo
Alien robot gladiator! What’s not to love? Why isn’t he more popular?
I wanted him to look a little retro, something that could be a Masters Of The Universe or M.U.S.C.L.E figure. Thus the simple design and the high waist. Also the less “real” his technology looks, the more alien he looks.

Zero
Kenshiro “Zero” Cochrane was (will be) the Ghost Rider of the year 2099. His self ended uploaded online and it somehow got transported back in our time. He created a new mechanical body and fights to prevent his dark future. I see him as a very political, very anti-corporation character. He dropped the Ghost Rider name out of respect to the current one.

Nekra
Villains join superhero teams all the time, right? She-Hulk was her lawyer so when she saw she was serious about going straight she gave her a chance. She still a very angry and very dangerous person though. I wanted her costume to reflect her original hyper-sexualised one (I’ve never seen Nekra clothed) but I think she also needs a more practical version. She can wear this one at parties.

Ruby Thursday
Another former villain. Ruby and Nekra became lovers in prison and Nekra brought her with her on this team. She’s now having “sex” with Zero (the kind of cyberspace sex only people with computer brains can have) and there’s a weird love triangle between them

Cloak and Dagger
Underused characters I always wanted to see as part of a larger team. I also wanna see how will cute and naive Dagger fare in a team of former villains and psychos and weirdos like this.

“Shadowman: In A New Light” Runner-Ups!

Note: There could be only three winners of our Shadowman: In A New Light redesign contest, but that doesn’t mean we were short on great entries. Here’s the rest of the Top 20, our runner-ups. Thanks again to the judges and the artists who submitted! – Chris A.


Thomas Fummo
Score: 46 out of 60

Chris: 7. Long-time P:R commenter and submitter Thomas Fummo has turned in his best work yet. I feel like Fummo really understand’s this character, and brings a more classic superhero look to him akin to Jack Kirby’s Creeper. I especially love the flat black of the costume with the skull imposed on the face.

Vito: 7.5. Yeah, and that “S” logo on his chest isn’t so overt. It’s subtle enough to not distract. I like it, but I don’t love it. It’s certainly fitting, and in light of the current costume, it’s appropriate. It just seems a little flat to me. I’ve seen it before though…

Joel: 7. The costume has a nice silhouette, which is good as it’s pretty much all silhouette. I’ve mentioned elsewhere that it bugs me when a character has one torn and raggedy element in an otherwise immaculate and clearly high-maintenance outfit. But it works here, because this costume needs the smaller shape-details on the boots and gloves to contrast with the stark graphic flatness of the rest of the design. This is, hands down, my favorite stylized skull of the whole show. But I’m not a fan of the “S”. It looks too much like a backwards “3”, and will look like a backwards sharfes-S when his arm is lowered.

Jon: 8. Yeah, everybody’s covering the strengths really well – the sleek and ragged elements work both thematically and visually, the silhouette is great, the “S” is pretty subtle, I like the mask too. It DOES need something that incontrovertibly says “Shadowman” – so as not to interrupt the flow of the costume, maybe something done with the weapon?

Glen: 8. I like the mummy-wrapped nature of the boots and gloves, and the mask is intriguing. The silhouette’s great, but that swooping S-on the costume effect seems a bit too finished (and, yeah, too figure-skater) to jibe with the roughness of the rest of the design. Ditto the belt-pouches, which strike me as a bit too tidy.

Vito: Gah! I know where that “S” is from! The Before Watchmen: Silk Spectre. That’s not a bad thing (it’s actually a really cool retro design) but I can’t stop seeing it now.

Patch: 8.5. I like this, Thomas. It’s modern and moody. I think you could downplay the swirl on the chest and hip so that they don’t meet behind the belt but this is a nice look with a current feel. Contrasting black and white is a good design decision.

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“Shadowman: In A New Light” Winners!

Note: Valiant‘s dark hero Shadowman is stepping out into the limelight this year with his new series and with our astounding array of redesigns for Shadowman: In A New Light. We’re proud to show you the 1st, 2nd and 3rd place winners for our contest, but before I do I wanted to personally thank guest judge Patrick “Patch” Zircher, co-writer/artist of the Shadowman comi series, and the P:R staff that stepped up to judge this. Also thanks to Hunter Gorinson and the Valiant staff for helping to make this happen, and for supplying the prizes to our winners. Now… on to the winners!  – Chris A.

First Place Winner: Tony Aros!

Tony Aros
Score: 51.5 out of 60

Vito: 8.5. I really like this one. The connected cape is something I’ve never seen before, unless it was on a character called the Flying Squirrel. Here, it gives the character a bit of a personality, and, if you really think about it, it extends the character’s shadow. That’s a smart touch. It’s probably the element that makes this stand out the most because without it, I don’t think the design would be as strong.

Chris: 8. The glowing emblem on this really appeals to me, but I feel as it maybe instead of being a waist-piece it should’ve been enlarged for the entire chest. I love the haunting look of this — but I would’ve loved to see Tony turn in a version with the top of the head open to show Jack’s hair.

Jon: 10. Sleek and ominous but still obviously human, I like the impression the lines on the torso give of an undercape. This definitely feels like the lead character in a book, or at least a key character – I keep picturing this as one of Morrison’s international Batmans.

Joel: 8. The glider-cape creates kind of a dumpy silhouette, doesn’t it? Squint your eyes, and this guy looks like a tiny-headed frog. I’m all the more perplexed by that choice because everything else in this design seems so well considered. All those curving seams and panels in the suit are beautifully balanced, and the mask is a great mix of expressively human and unsettlingly other.

Glen: 8.5. See, I didn’t like this at first. A character called Shadowman is all about the silhouette, and that? Is one goofy, Dark Ooompa-Loompa lookin’ silhouette. And yet it kind of feeds into the the overall effect, intensified by the face-paint, which is DAMN creepy. Not scary, but SERIOUSLY disquieting and alien. Well done.

Patch: 8.5.  This is a cool look, Tony.  You did a fine job.  His mask makes his face similar to his enemy Master Darque and may not be a youthful enough look for Shadowman but I do like this.  The few things I’d tweak? Maybe bring the black up higher on the back of the head, add a black skull-like ‘nose’ and the traditional logo on the belt.

Second Place Winner: Ha Huy Hoang!

Ha Huy Hoang
Score: 49 out of 60

Joel: 9. This is the strongest shadow-emblem of the the contest. I love the rhythm of the positive and negative space between the figure’s legs, the shadow, and the light, and how they all break down to a pattern of harlequin-style lozenges. I think this little passage of patterning has at least as much to do as the animated-style with making this design look lighter and more trickstery than most of the other submissions. Well, that and the spats. Always expect repartee from a man in spats. The only part of this design that I question are the circular cloak clasps. They distract a bit from the emblem and, in the smaller image, make it look like the shadow-man is holding pom-poms.

Vito: 8. I really like it, but the tails-as-cape is throwing me off a little. I like all of the elements as they appear together…it gives him an interesting silhouette, but that silhouette doesn’t match the chest emblem. It’s not an important beat to hit, but it would have been a nice touch.

Chris: 8. Wow. I knew this would be a top entry when it first came into the P:R inbox. Hoang’s delivered a more dapper Shadowman here with Shadowman’s emblem becoming a segue into a tuxedo-looking affair. I could easily see this sauntering through the shadows of New Orleans. My only qualms with the design is the drastic redesign of the Sengese Blade and the extraneous flaps on the sides of the mask itself.

Jon: 9. I love just about everything involved in this design, it’s stylish and unified and distinct. It’s iconic. My only concern is a thematic one – I always feel that when you have a character whose gimmick is that they’re battling against supernatural or alien forces,  they should show a little skin. I feel that it’s important to display a little human flesh, some mortal vulnerability, something to note the hero’s humanity in contrast to the enemy’s inhumanity. BUT all that being said, one of my favorites, this one.

Glen: 7.5. The length of the cape and the length of the jacket seem to be competing with one another, not working in concert, and the emblem, on such a nattily dressed figure, goes to a whole argyle place that seems incongruous. +0.5 for the spats, though, because: Spats.

Patch: 7.5.  This is absolutely a charming illustration, Ha Huy.  The mask and chest ‘pop’ out of the black. Still, the costume has a very pulp-era feel and it is operatic, with a certain ‘gentleman’ like personality with the tails and spats.  It could work with a past Shadowman– but it doesn’t give a feeling for a contemporary current one.

Third Place Winner: Nick Wali!

Nick Wali
Score: 47.5out of 60

Joel: 8. I don’t know if this guy is Shadowman or not, but I sure like the cut of his jib. Rock that scarf and ascot, buddy!

Vito: 9. Probably my favorite in the contest because it’s so out of left field. The ascot is in the shape of the emblem! The scarf is a great contrasting color (orange, against the blacks and blues). The only thing I don’t like is the mask…it’s almost too plain. But otherwise, I think Nick hits a home run! If Morrison ever plans on doing another Doom Patrol run, he should call Nick up immediately!

Joel: Wait, where is the emblem?

Vito: It’s sorta in the ascot. Mostly in the shape. I like it as an abstraction of the original.

Chris: 7. Great character design… but is it a great Shadowman design? I feel like Nick Wali came out swinging and gave us an excellent character, but besides the vaguely familiar mask none of this screams Jack Boniface, Xero or any Shadowman I know. Still, great design.

Jon: 8.  Loving this one a lot, it’s great to see a completely unexpected take on the character. Ties into a lot of Shadowman’s core themes as a book, it’s a lot of fun, definitely a design that would stand out in a crossover event or team roster.

Glen: 7.5. Bold, and very appealing on account of it. I’d never imagined the character taken in a “capering dandy” direction, but Wali clearly has. The color scheme don’t read “Shadowman” to me, however; it feels like an extra twist that takes it too far.

Patch:  8.  A drawing to be proud of Nick.  I like how the blank mask contrasts with the detail elsewhere.  This looks like an 18th century take on the character. The benefit of a modern Shadowman is it works with the ‘lineage concept’ and it distinguishes him from fantasy ghosts, spirits, and demons.  This is, however, our best shot at getting Shadowman on the League of Extraordinary Gentlemen!

P:R Redesign: Dean Trippe’s Night Nurse!

Note: Ah Night Nurse. Originally created as part of a female-oriented line of superhero comics at Marvel in the early 1970s, she’s never quite gotten her due… but this redesign by Dean Trippe is the kind of thing that could change that. Tripple’s taken the garments of a typical nurse and merged them with iconic superhero attire; from the red medical cross clasp to the unique sword, this is the kind of thing comics should have more of. – Chris A.

P:R Redesign: Marco Antonio Laranjeira’s Supergirl!

Note: Another new artist to P:R today, as Marco Antonio Laranjeira takes on DC’s Supergirl and gives her a drastic but practical makeover. Pulling from some of the same ways of thinking as Jamie McKelvie’s Captain Marvel, Laranjeira ups Supergirl from someone looking like she’s trying out being a superhero to someone looking to get her hands dirty. – Chris A.

Here’s what Marco said about his design:

This Supergirl redesign was based in the Man Of Steel movie and the “New 52″ Superman, with an almost alien army styling. I quit the cape, because capes are not practical, and she is a teenager, not a krypton goddess. The long hair had to go too. i believe long hair in a battle is just something annoying and disturbing. I’m also a great fan of the ginger Supergirl, even though she was not the real-real Supergirl.

P:R Redesign: Kerwin Siméus’ Green Goblin!

Note: I always wondered why Norman Osborn, with all the technology at his fingertips with Oscorp, that he only brought that to bear in his weapons and his Goblin Glider. Artist Kerwin Siméus explores just that, giving Osborn a high-tech mask as well as gloves — and even a place to store his glider. – Chris A.

Here’s what Siméus said about the design:
With this design I wanted to give Norman something sleek and workable should he want to operate without the glider or bag o’ tricks he carries around. He’s friggin’ rich, why not have a suit of armor? He can still fly via a hover/booster contraption on his back, and his fingertips can shoot lasers or spawn beam claws for close combat. And he doesn’t have to take off the suit to potty, either. Perks.